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A good friend of mine has an eighteen-volume collection of vintage Vogue and Harper's Bazaar and let me borrow one to flip through. I was amazed at how classic and chic the advertisements and editorials were. Almost everything was illustrated— total works of art. there were at least 10 pages I wanted to tear out and hang on my wall.
These are all from Vogue 1947.
I finally got around to purchasing Irreverent by Carine Roitfeld after watching her documentary, Mademoiselle C, which details the production of her first issue of the CR Fashion Book.
Honestly, I haven't been hit with a girl crush / icon / inspirational obsession / etc. in a long long time. I realize I'm a bit late to the game learning about her (especially since i have two copies of CR) but after watching the movie it was like a compulsion i HAD to have the book immediately and learn as much about her as I could. When it arrived earlier this week I was completely blown away. It's sublime.
Interestingly enough I've been shying away from fashion— (completely inspired by this Phoebe Philo for Céline post HERE and this trend post from the Manrepeller HERE) sticking to black, white and neutrals (which i realize is a trend right now, but i digress) and focusing more on art, design and interiors. BUT I literally devoured this book. I read every page (which I rarely actually do with magazines/coffee table books) but it was so clean. chic, interesting and erotic.
These are my favorite quotes:
"I don't know if I'm a Yves Saint Laurent woman or not, but I hate when people compliment me on what I'm wearing. It was Saint Laurent who said that you should compliment a woman for her beauty and not for her clothes, which are only supposed to set off her beauty."
Q: What do you attribute your success to? Can you define it, or is it a mystery to you? "There's certainly something mysterious about it. It's not my place to say whether I have any talent or not, but success is a mix of hard work and good luck. I met the right people at the right time, but I also knocked on the doors that I knew were the hardest to enter. I never chose the easy option. I have always gone after the most interesting things, even if they are the most difficult. Always!"
Q: Do you see yourself as an artist?
"I don't see myself as an artist. In a way, I envy the freedom artists have. Artists can push themselves beyond their limits, in pursuit of their ideas and their vision, even if they are inhabited by demons that can also play tricks on them. I would love to have that purely creative side. But fashion has allowed me to collaborate with artists of all difference kinds—writers, filmmakers, as well as genius hair stylists and make-up artists."
Q: How do you manage to preserve your creativity?
"Although I've very diplomatic, I've learned not to back down when it comes to my own vision. I stay inside a bubble so I can focus on my own creativity and not feel burdened by outside influences or pressure. I don't live in a fairy tale— anything but. But I remain inside my private, insulated space where I find my inspiration and my freedom."
Q: Do you think that real fashion has been absorbed by fashion photography? "Street fashion is real fashion now. Ultimately, that's what is driving the industry. The kind of fashion that I love exists only in images, where it becomes part of a world of dreams and fantasies. Only a few great eccentrics can wear it. But chasm doesn't bother me, because I think there's a tension– or a continual dialogue— going on between street fashion and the fashion depicted in photographs, which very few woman can afford to wear for obvious financial reasons, as well as certain social pressures."
"But luxury isn't an easy thing to do these days. Luxury has become so vulgar. Luxury items have become the symbol of nouveaux riches, of new fortunes made out of IT and the dot-com industry, and by people who don't have experience with this kind of culture appropriating historically luxury items."
Have I contradicted myself? Not too long ago I told my mom that I think my goal in life is to be an elegantly aged woman. After learning more about Carine, I think that's true.
This past friday was the release party for our final volume of FOUR. It was certainly a bittersweet evening but incredibly special nonetheless. I was overwhelmed and deeply humbled (and have been throughout the entire experience) by how much support and praise we’ve received from the city, across the country and throughout the world. I mean we don’t know what we’re doing; we’ve just been pulling together things we like and whatever phase we’d been going through at the time (hence “can i live?”), and hoping that people like it and aren’t offended. But just seeing how excited and grateful everyone (and this is a very diverse “everyone”) was to be involved was really affirming and somewhat emotional but (sigh) just something I can’t put into words.
I’ve always said the magazine was created to showcase the amazing creatives that live in and around Charlotte. We just wanted to create opportunities for people (like us) who needed an outlet to work on something beautiful that will be kept on a coffee table or bookshelf, not flipped through and thrown out after a couple days. and that’s happened! Everything I wanted and more happened and was successful. FOUR could have easily been a drop in the ocean of new publications started every year, but we were blessed and highly favored to have gained a supportive loyal diverse following that is saddened to see us take a hiatus.
One of the guys I talked to understood my reasoning for leaving and he brought up the fact that people get complacent in Charlotte because it isn’t that huge of a city so it’s easy to settle when you’re at the top because once you find your niche there’s no competition. So the work starts to slack and become less remarkable. I never want that to happen. I will never settle with being “amazing” by Charlotte standards because I know better. Take it to a big city and then tell me what you think. I need time to get re-inspired to the point where its just pouring out of my hands, not just going through the motions. I want to crave life and experiences again. So don’t worry… I have B I G secret plans in the works for when I return to charlotte; I’m coming back on my worst behavior. and I'm hoping that there will be some friendly competition by then...
Sidebar: I was especially happy about the fact my beau was there and able to really see what I do, because he (who does not work anywhere near the design field), like my parents don’t really get it. All they see is me neurotic, always working, always stressing, always on the computer, super critical and freaking out about things that would seem ridiculous to anyone other than a designer. So the fact he got to witness the final outcome and actually hear what people were saying and how touched they were by our work was truly amazing.
PARTY MIX Reasonable Doubt — Jay-Z Saint Heron — Solange Knowles and Friends G I R L – Pharrell Williams Cupid Deluxe — Blood Orange
Photography captured by my lovely sister, Les Artise.
yea so my plan to photograph and post about all of my favorite books and zines is already off track pretty much due to the ridiculous number I accumulated (on a regular basis) all at once. overwhelmed haha, but so good.
My favorite feature in the latest issue of elle decor. "For French designer Jean-Louis Denoit, the assignment to create an estate in New Dehli from the ground up was the commision of his dreams. All it took to transform it into reality were ingenuity, patience, and a cadre of Indian craftsmen."
LOVE.
UPDATED: The link to this feature wasn't available online yet, but now you can read the story here.